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Gilding, Bronzing, and antiquing copper art metal

APPLYING SILVER SOLUTIONS

There are also some interesting methods of, applying a thin coat of silver to copper articles, and while this method is not recommended for very  extensive use, still some very good effects can be produced by applying the silvering solution to the copper where a design has been etched or chased and then rubbing with an old smooth piece of emery cloth, allowing the silver to remain in the background. The copper must, of course, be perfectly clean.

GILDING AND BRONZING

Copper and brass can be gilded by using the following solution: distilled water, 1 quart; 6 pennyweights of gold converted into chloride, potassium bicarbonate, 16 ounces. To prepare this solution for use, convert the gold into chloride by dissolving it in aqua regia. Then dissolve in the distilled water, add the potassium bicarbonate, and allow the solution to simmer over a fire for about one hour. The articles to be gilded are immersed in the warm fluid for a few seconds until the desired color is obtained.

Another good recipe for gilding by boiling is cyanide of potassium, 8 ounces ; chloride of gold, 3 pints ; sal soda, 8 ounces ; water, 1 gallon.

To get a bronze effect on copper, dissolve 3 ounces of nitrate of iron and 1 ounce of sulphocyanide of potassium in 2 quarts of water, and immerse the articles.

ANTIQUE FINISHES

Another standard method of finishing copper is to give it any of the many various green finishes that are known on the market and in the trade as "Antique Patina," "Verde antique," .. Pompel Green," "Green Patina," etc. The same finish is often given different names by different manufacturers. Some of the most reliable of these finishes are as follows:

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